Shodashopachara Pooja Vidhi
Shodashopachara Pooja Vidhi Complete Shodashopachara 16 steps Pooja vidhi explained. 16 ways of worshiping the lord is called as Shodashopachara pooja. Upachara refers to the offerings and services made to a deity as part of .
Those are Achamaniyam, Deepa Jyoti, Asana Puja, Padyam, Arghyam, Madhuparkam, snanam, Vastram, Abharanam, KumKum,Dhoopam, Naivaidayam, Harathi, Mantrapushpam like 16 upacharas will be done respectable god or goddess.
Padyam: The devotee washes the god’s feet. This can be done by pouring a spoonful of water over the feet of the deity.
Arghyam: This is the offering of fragrant water to the deity. Water containing sandal paste, rice, grains and flowers is poured over the deity.
Achamanam: Water is offered to the deity to drink. In this the worshipper pours a little water in his palm and then sips it himself after offering it to the deity.
Snanam: The deity is bathed with fragrant oil and hot water. This also includes the Mahabhishekasnan.
Vastram: The deity is adorned in new clothes.
Upavastram: This specifically refers to the cloth offered to the deity to cover the upper part of the body.
Vilepan: Now after the deity has been adorned in new clothes offerings in the form of sandal paste, sindoor-red powder, bukka- black tilak powder are made. That is tilak is applied to the deity.
Pushpam: Flowers are offered to the deity.
Dhupam: Incense sticks or camphor are lit. Their fragrance enhances the ambience for the puja.
Deepam: A lamp is lit and placed in front of the deity.
Naivedyam: Eatables are offered to the deity. This later is distributed as prasad amongst the worshippers.
Namaskaram: The worshipper bows down in front of the deity to express his/her reverence.
Pradakshinam: The worshipper circumambulates the deity.
Mantra pushpa: Chanting of the appropriate mantra or any other prayer that maybe recited or sung.Daily Pooja Procedure at Home- Nitya Pooja Vidhi
Lord Shiva Shodashopachara pooja Vidhi- Shivaratri Puja Vidhi- Monday Pooja Vidhi (Shiva Puja)
Shodashopachara Guru Pooja Guru Pournima Puja – Thursday Pooja/ puja Vidhi
Lakshmi Shodashopachara Puja and Stuti by Indra From Brahma Vaivarta Purana- Friday pooja vidhi
Ganesha Kavacha from Brahma Vaivarta Purana
Ganesha Kavacha from Brahma Vaivarta Purana Ganesha Kavacha from Brahma Vaivarta Purana
Shuklaambara dharam Vishnum Shashivarnam Chaturbhujam,
Prasanna vadanam dhyaayey Sarva Vighnopata shantaye
SHIVA- PARA STUTIS
Ganesha Kavacha
Samsaara mohanasyasya Kavachasya Prajapatih,
Rishirscchhandascha Brihati Devo Lambodarah Swyam
Dharmaartha kaama moksheshu viniyogah Prakirtitah
Sarve -shaam kavachaanaam cha saarabhutamidam Muney,
Om Gam Hum Shri Ganeshaya swaahaa mey paatu mastakam,
Dwatrimshadaksharo Mantro mey sadaavatu
Om Hreem Kleem Shreem Gamiti cha Satatam paatu lochanam,
Taalukam paatu Vighneshah Satatam Dharani taley
Om Hreem Shreem Kleemiti cha satatam paatu naasikaam
Om Gaim Gam Shoorpakarnaaya Swaaha paatwadharam mama,
Dantaani taalukaam jihwaam paatu mey shodashaaksharah
Om~ Lam Shreem Lambodaraayeti swaahaa gandam sadaavatu,
Om Kleem Hreem Vighnanaashaaya swaah karnam sadaavatu
Om~ Shreem Gam Gajaananaayeti swaahaa skandham sadaavatu,
Om Hreem Vinaayaketi swaaha pushtam sadaavatu
Om Kleem Hreemiti Kankaalam paatu Vakshahsthalamscha gam,
Karow Paadow sadaa paatu Sarvaangam Vighna nighnakrit
Praachyam Lambodaram paatu Aagneyyaam Vighna naayakah,
Dakshiney paatu Vighnesho naairrutyaam paatu Gajaananah
Paschimey Parvati putro Vaayavyaam Shankaraatmajah,
Krishnashyaamshaschottarey cha Pari purnatamasya cha
Eshaanmekadantascha Herambah paatu chordhvatah,
Adho Ganaadhipaha paatu Sarva pujacha Sarvatah
Swapney Jaagaaney chaiva paatu maam Yoginaam Guruh
Iti tey kathitam Vatsa Sarvamantrougha Vigraham,
Samsaara mohanam naama Kavacham Paramaadhbhutam,
Shri Krishnena puraa dattham Golokey Raasamandaley,
Vrindaavaney vinitaaya Mahyam Dinakaratmja
Mayaadattam cha tubhyam cha yasmai kasmai na daasyasi,
Param Varam Sarva Pujyam Sarva sankata taaranam
Gurumabhyarchya vidhivat Kavacham Dhaarayetu yah,
Kanthevaa dakshiney baahow sopi Vishnurnasamshayah
Ashwamedha sahasraani Vaajapeya shataanicha,
Shatalaksha Prajastopi na Mantrah Siddhi daayakah
This ‘Samsaara Mohana Kavacha’s Prajapati is Rishi, Brihati is the Chhanda, Swayam
Lambodara Ganesha is Devata; Dharma, Artha, Kaama and Moksha is the ‘Viniyoga’;Meaning:
this entire Kavacha is of great essence: Let the Mantra Om gam hum Shri Ganeshaaya swaaha safeguard my head; the Dwadashokshara Mantra save my forehead; let Om Hreem Kleem Shreem Gam protect my netras / eyes; may Vighnesha protect my ear lobes; let the Mantra Om Hreem Shreem Kleem protect my nose; let the Mantra Goum Gam Shurpaanyaya Swaha guard my lips and tongue; let the Mantra Om Lam Shreem Lambodaraaya Swaaha secure my cheeks; may the Mantra Om Kleem Hreem Vighnanaashaaya swaaha keep my ears safe; let Om Shreem Gam Gajaananaaya swaahaa secure my shoulders; may the Mantra Om Hreem Vinaayakaaya swaaha guard the rear part of my body; let Om Kleem Hreem protect my ‘kamkaal’/ skeleton and the Mantra Gam save my chest.Let Vighna-nihanta provide safety to my hands, feet and the entire body! May Lambodara save my Eastern side, Vighnanayaka the Agneya side, Vighnesh the Southern side, Gajaanana the Nirruti side, Parvati putra the West, Shankaraatmaja the Vaayavya side, Shri Krishna the North, Ekadanta the Ishaana kona, Heramba the Urthwa bhaga / skyward, and Ganaadhipa the ‘Adhobhaga’ the underground. May the ‘Yogi Guru’ protect me while asleep or awake.
This is how I explained the whole ‘Samsara Mohana naama Kavacha’to you Suryanandana Shaneswara. This Kavacha was bestowed to me when I attended the ‘raasa leela’ convention at Goloka and this should be divulged to one and all. If a person wears the Kavacha after Guru Puja, it shall indeed safeguard him or her and bestow the boons of performing thousand Ashwamedha Yagnas and thousand Vaajapeya Yagnaas. The Siddhi of this Kavacha is attainable after hundred lakh japas of it.
(Essence of Brahma Vaivarta Purana)
When it get Siddhi:
The Siddhi of this Kavacha is attainable after hundred lakh japas of it.
Ganesha Kavacham from Brahma Vaivarta Purana in Devanagari:
संसार मोहनस्यस्य कवचस्य प्रजापतिः ,
रिषिरस्च्छ्हन्दस्च बृहती देवो लम्बोदरः श्र्व्यम्
धर्मार्थ काम मोक्षेषु विनियोगः प्रकीर्तितः
सर्वे -शं कवचानां च सारभुतमिदं मुनेय ,
ॐ गं हुं श्री गणेशाय स्वाहा मेय पातु मस्तकं ,
ड्वत्रिम्शदक्शरो मन्त्रो मेय सदावतु
ॐ ह्रीं क्लीं श्रीं गमिति च सततं पातु लोचनं ,
तालुकं पातु विघ्नेशः सततं धरणी तलेय
ॐ ह्रीं श्रीं क्लीमिति च सततं पातु नासिकां
ॐ गिम गं शूर्पकर्णाय श्र्वाह पात्वधरम् मम ,
दन्तानि तालुकां जिह्वाम् पातु मेय शोदशाक्षरः
ॐ लं श्रीं लंबोदरायेति स्वाहा गण्डं सदावतु ,
ॐ~ क्लीं ह्रीं विघ्ननाषाय स्वाह् कर्णं सदावतु
ॐ श्रीं गं गजाननायेति स्वाहा स्कन्धं सदावतु ,
ॐ~ ह्रीं विनायकेति स्वाह पुष्टं सदावतु
ॐ क्लीं ह्रीमिति कङ्कालं पातु वक्षःस्थालंस्च गं ,
ख़रोव् आदोव् सदा पातु सर्वाङ्गं विघ्न निघ्नकृत
प्राच्यां लंबोदरं पातु आग्नेय्यां विघ्न नायकः ,
दक्षिनेय पातु विघ्नेशो नैरृत्यां पातु गजाननः
पस्चिमेय पार्वति पुत्रो वायव्यां शङ्करात्मजः ,
ख़्रिश्नश्याम्शस्चोत्तरेय् च परि पुर्णतमस्य च
एषान्मेकदन्तस्च हेरंबः पातु चोर्ध्वतः ,
अधो गनाधिपाह पातु सर्व पुजच सर्वतः
श्र्वप्नेय् जागानेय चैव पातु मां योगिनां गुरुः
इति तेय कथितं वत्स श्रर्वमन्त्रौघ विग्रहं ,
संसार मोहनं नाम कवचं परमाध्भुतं ,
श्री कृष्णेन पुरा दत्थं गोलोकेय रासमन्दलेय ,
वृन्दावनेय विनीताय मह्यं दिनकरत्म्ज
मयादत्तं च तुभ्यं च यस्मै कस्मै न दास्यसि ,
परम् वरं सर्व पूज्यं सर्व संकट ताराणां
गुरुमभ्यर्च्य विधिवत कवचं धारयेतु यः ,
कन्थेवा दक्षिनेय बाहोव् सोऽपि विष्णुर्णसंशयः
आश्वमेध सहस्राणि वाजपेय शतानिच ,
शतलक्ष प्रजस्तोपि न मन्त्रः सिद्धि दायकःManisha Panchakam Stotram
Sri Shankara Manisha Panchakam Stotram
Sri Shankara Manisha Panchakam Stotram What is ManishaPanchakam:
The word “Manisha” means “conviction” and “Panchakam” means a collection of five. The central theme of Vedanta is to show the oneness between Jivatma and Paramatma. Sri Sri Shankara in this short composition of five verses brings out this essence of Vedanta with conviction.
Who written this Manisha Panchakam:
Manisha Panchakam written by Sri Sri Jagadguru Adi Shankaracharya.
When Adi Shankaracharya Composed:
One traditional story connected with the composition of these verses. One day Sri Sri Shankara along with his disciples, after having a bath in the Ganges at Kashi was on the way to the temple walking through one of the narrow lanes. Suddenly he saw a Chandala (lowly caste person) walking opposite to him. As per the practice and customs prevailing in those days, Sri Sri Shankara beckons to the Chandala “Move Away Move Away”.
At such a beckoning from Sri Sri Shankara, Chandala very humbly, yet poignantly lashes out a few questions containing the Ultimate Truth of Vedanta. Immediately Sri Sri Shankara realises the presence of Lord Shiva before him and reels of five verses revealing the wisdom of the Vedas as lived and experienced by him in his direct insight. These five verses have come to be known as “Manisha Panchakam”.
Now, after reading this story there can be various doubts:
Could the all knowing Sri Sri Shankara who is the foremost profounder of Advaita Vedanta react thus seeing a Chandala?
Has this legend been just interwoven to the main composition (“Manisha Panchakam”) to serve as a lesson by somebody to erase the then prevailing atrocious social dogmas?
Was the Sri Sri Shankara not yet a fully realized when this event occurred?
Well, a highly debatable topic. Nevertheless, these argumentation will not result in any beneficial outcomes and will not serve any good purpose. Our aim is to learn and develop firm faith in Vedanta. With this as the sole purpose let us see the composition giving less importance to the stories around it.
Manisha Panchakam
मनीषापञ्चकं
Verse 1
सत्याचार्यस्य गमने कदाचिन् मुक्ति दायकम्,
काशी क्षेत्रम् प्रति सह गौर्या मार्गे तु शंकरम्,
Satyaachaary asya gamanae kadaachin mukti daayakam,
Kaasee kshaetram prati saha gouryaa maargae tu Sankaram,
Meaning:
Once, a great godly man is on a stroll in the famous, heavenly place the Varanaasi. During his walk after his ritualistic, sacred and purified bath he came juxtaposed to two people a man and his consort walking opposite to him almost bumping into his way. The strange couple were none other than The Lord Shiva and Parvathi.
Verse 2
अंत्य वेषधरम् दृष्ट्वा गच्छ गच्छेति चा ब्रवीत्
शंकरस्योपि चंडालः तम् पुनः प्राह शंकरम्
Antya vaeshadharam drushtwaa gachcha gachchaeti cha abraveet
Sankarah so api chandaalah tam punah praaha Sankaram
Meaning:
The couple is in the disguise of a lowly placed and unkempt downtrodden family. This learned and holy man, though theoretically very well versed in the Atma Jnaana, not recognizing the true nature of the persons coming into him, uttered the words, you…. Go away, Go away, Go aloof – in some form of scorn and hatred. Then, Parama Siva in the chandaala roopam replied to the learned man as follows…
Verse 3
Chandala Asks!
अन्नमयाद् अन्नमयम् अथवा चैतन्यमेव चैतन्यात्
यतिवर दूरीकर्तुम् वांछसि किम् ब्रूहि गच्छ गच्छेति
Annamaayaad annamayam athavaa chaitanyam yaeva chaitanyaat
yativara dooree kartum vaanchasi kim broohi gachcha gachchaeti ?
Meaning:
Chandala spoke as follows: Oh ! The perfect man of Self realization – Sir, I wish to know, whom are you addressing to get away from your esteemed presence out of hatred ? Do you mean the physical body of us – it’s one and the same for all!! Or, perhaps, if you mean the internal cosmic energy within us, it’s all the more same in all! …..
Verse 4
प्रत्यग्वस्तुनि निस्तरन्ग सहजानन्दावबोधाम्बुधौ विप्रो
अयम् श्वपचोयमित्यपि महान् को अयम् विभेद भ्रमः?
pratyagvastuni nistaranga sahajaananda avabodha ambudhou vipro
ayam swapacho ayamity api mahaan ko ayam vibhaeda bhramah ?
Meaning:
Chandala continues his query: Isn’t the indwelling essence in all of us the same wave-less and steady ocean called the innate and natural Bliss Absolute; While this should be the perfect understanding of the learned, (for you too) O! Great soul, why is this (indeed hatred inducing) illusion of discrimination (that) one is learned and a Brahmin and that the other one is an outcaste and is untouchable!
Verse 5
किम् गंगाम्बुधि बिंबितेम्बर मणौ चंडाल वीधी पयः
पूरेवा अन्तरमस्ति कांचनघटी मृत्कुम्भयोर्वांबरे?
kim gangaambudhi binbitae ambara manou chandaala veedhee payah
poorae vaa antaramasti kaanchana ghatee mritkumbhayorva ambarae?
Meaning:
The precious jewel of the sky, the Sun, isn’t he shining in the same way in this very sacred and holy waters of this river – the mother Ganges and in the polluted cesspools there in the dirty lanes of the outcastes? Will the reflected sky be inferior in an earthen pot, compared to the one in a golden vessel ! Aren’t the Sun and the Sky absolutely the same without any difference?
These very pithy and piercing arrows of questions from Chandala posed to the mind of Sri Sri Shankara, the nija swaroopa of the Chandala (Lord Shiva in the disguise) is perceived by Sri Sri Shankara and the following 5 slokas form the firm conviction and understanding attained by Sri Sri Shankara.
Verse 6
Sri Sri Shankara Answers!
जाग्रत्स्वप्न सुषुत्पिषु स्फुटतरा या संविदुज्जृम्भते
या ब्रह्मादि पिपीलिकान्त तनुषु प्रोता जगत्साक्षिणी,
सैवाहं न च दृश्य वस्त्विति दृढ प्रज्ञापि यस्यास्तिचे
च्चण्डालोस्तु स तु द्विजोस्तु गुरुरित्येषा मनीषा मम
jaagratswapna sushuptishu sphutataraa yaa sam vidujjrimbhatae
yaa brahmaadi pipeelika anta thanushu prothaa jagat saakshinee,
saiva aham na cha drisya vastwiti drudha prajnaapi yasya asti chaet
chandaalostu sa tu dwijosthu gurur ityaeshaa maneeshaa mama.
Meaning:
Oh! Let’s learn that the indwelling (pratyag) atman is distinctly shining with in all the three states; namely the wakeful, the dreaming and the deep sleep states. It is the invisible thread embedded in us and it is the witness with in all from the Creator up to the tiny ant. It~ is not a cognizable object in spite of any amount of material intelligence. It is very much the same in one and all irrespective of any caste, creed or kind! My firm understanding is that the great one who inculcates this concept is the real preceptor.
Verse 7
ब्रह्मैवाहमिदं जगच्च सकलं चिन्मात्रविस्तारितं
सर्वं चैतदविद्यया त्रिगुणयाशेषं मया कल्पितम्
इत्थं यस्य दृढा मतिः सुखतरे नित्ये परे निर्मले
चण्डालोस्तु स तु द्विजोस्तु गुरुरित्येषा मनीषा मम
Brahmaivaaham idam jagachcha sakalam chinmaatra vistaaritam
sarwam chaitadavidyayaa trigunayaa saesham mayaa kalpitam,
iththam yasya dridha matih sukhatarae nityae parae nirmalae
chandaalostu satu dwijostu gurur ityaeshaa maneeshaa mama.
Meaning:
I am none other than a part and parcel of the Brahman (The Absolute). I am dwelling on the pure and infinite Brahman and I am the very Brahman. This universe is glittering with infinite glow by the power of the chaitanya or unlimited sentient energy of the Absolute. Apparently the universe is assumed (by us) to consist of diverse and different things, due to (our) ignorance (avidya or nescience) borne out of the three gunas (Sattva, Rajas and Tamas). He who firmly believes with perfect understanding of this unity in diversity, for me, he is the adorable great Master, irrespective of whether he is a Brahmin or an outcaste. This is my perfect understanding.
Verse 8
शश्वन्नश्वरमेव विश्वमखिलं निश्चित्य वाचागुरोरः
नित्यं ब्रह्म निरन्तरं विमृशता निर्व्याज शान्तात्मना,
भूतं भावि च दुष्कृतं प्रदहता संविन्मये पावके
प्रारब्धाय समर्पितं स्ववपुरित्येषा मनीषा मम ॥
saswan naswaramaeva viswam akhilam nischitya vaachaa guroh
nityam brahma nirantaram vimrisataa nirwyaaja saanta atmanaa,
bhootam bhaavi cha dushkritam pradahataa samvinmayae paavakae
praarabdhaaya samarpitam swavapur ityaeshaa maneeshaa mama.
Meaning:
This entire universe, apparently continuing, is perishable and impermanent as per the decisive proclamation of the Lord. The Brahman, indeed, is permanent, everlasting and is undifferentiated and peerless, if one analyzed carefully with an untainted, unaffected, peaceful and tranquil intelligence. The differences in our physical bodies are the products of imprints of all our previous sinful/good deeds, pertaining to the past, present and future. The one who perfectly reduces these imprints to ashes in the flaming fire of knowledge is the best informed. This is my perfect conviction.
Verse 9
या तिर्यङ्नरदेवताभिरहमित्यन्तः स्फुटा गृह्यते
यद्भासा हृदयाक्षदेहविषया भान्ति स्वतो चेतनाः,
ताम् भास्यैः पिहितार्कमण्डलनिभां स्फूर्तिं सदा भावय
न्योगी निर्वृतमानसो हि गुरुरित्येषा मनीषा मम ||
yaa thiryagnara dhaevathaabhirahamithyamthah sphutaa grihyathae
yadhbhaasaa hridhayaaksha dhaehavishayaa bhaanthi swatho chaethanaah,
thaam bhaasyaih pihithaarkamandala nibhaam sphoorthim sadhaa bhaavayan
yogee nirvrithamaanaso hi gururithyaeshaa maneeshaa mama.
Meaning:
The Self or pure consciousness is experienced clearly within by all animals, human beings and the gods alike as the ‘I’. It is by the reflection of this pure consciousness that the mind, sense organs and the body which are insentient, appear to be sentient. External objects are perceived only because of this. This Self is, however, concealed by this very mind, senses and body which are illuminated by it, just as the Sun is concealed by the clouds. A person of perfect realization and wisdom due to his complete and clear understanding ever meditates in his mind on this supreme consciousness. Such a person is the real preceptor. This is my perfect conviction.
Verse 10
यत्सौख्याम्बुधि लेशलेशत इमे शक्रादयो निर्वृता
यच्चित्ते नितरां प्रशान्तकलने लब्ध्वा मुनिर्निर्वृतः
यस्मिन्नित्य सुखाम्बुधौ गलितधीर्ब्रह्मैव न ब्रह्मविद्
यः कश्चित्स सुरेन्द्रवन्दितपदो नूनं मनीषा मम ॥
yathsaukhyaambudhi laesalaesatha imae sakraadhayo nirvrithaa
yachchiththae nitharaam prashaanthakalanae labdhvaa munirnirvrithah
yasmin nithya sukhaambudhau galithadheer brahmaiva na brahmavidh
yah kaschit sasuraendhra vandhithapado noonam maneeshaa mama ||
Meaning:
The Self (Brahman) is the eternal ocean of Supreme Bliss. A minute fraction of this Bliss Supreme is adequate to satisfy the Indra and other celestials. Only by meditating with a perfectly calm mind on this Bliss Supreme, and not by any other special means, the sages experience adequate fulfillment. Whose intellect is ever unified with the eternal ocean of this Bliss Supreme, he is not a mere knower of the Brahman, but he is the Brahman itself. Such a person, whosoever he may be, and no matter at all, his feet are worthy to be worshiped by the Indra and all other gods. Definite, this is my firm understanding.
The Epilogue
दासस्तेहं देहदृष्ट्यास्मि शंभो
जातस्तेशो जीवदृष्ट्या त्रिदृष्टे
सर्वस्यात्मन् अत्मदृट्या त्वमेव
त्वेवं मे धीर्निश्चिता सर्वशास्त्रैः ॥
Meaning:
O! Lord, the three eyed one (who is the all knower of the past, present and future)! In~ the form of this physical equipment, the body, I am the servant of You and thus of all. In the form of the life principle with in me, I ~am the part and parcel of You and thus of all. In the form the soul, You are within me and similarly in every other being or animal or thing that I behold. I have arrived at this conclusion after thorough reflection in my intellect – illuminated by all the sacred texts.
This concludes the sacred teaching Maneesha Panchakam by Jagad Guru Sri Adi Sankarachaya.
Surya Namaskar Mantras Sun Salutation Mantras
Surya Namaskar Mantras Sun Salutation Mantras Surya Namaskar or Salute to the Sun or Sun Salutation, is a practice in yoga as exercise incorporating a sequence of some twelve gracefully linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example among wrestlers. The basic sequence involves moving from a standing position into Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hindu God Surya. In some Indian traditions, the positions are each associated with a different mantra.
Benefits of Surya Namaskar Mantras:
The sun sustains life on earth. Our ancient seers acknowledged this and revered the Sun. The Surya Namaskar is an appreciation in motion that is offered to the sun. It involves twelve yoga postures or asanas signifying the sun’s cycles which run at approximately twelve and a quarter years. If your system is invigorated, then your cycle will be in harmony with the solar cycle. The Surya Namaskar helps create this harmony between your physical cycle and that of the sun.
Chants called Sun Salutation Mantras may accompany the Surya Namaskar. These chants bring harmony in body, breath and the mind. As the practice deepens, so do the benefits. When chanted with sincere gratitude, these mantras can take the practice to an enhanced spiritual level.
‘Om Bhaanve Namaha’ means ‘One who brings light.’ When you recite this mantra, feel a sense of deep gratitude to the sun for giving us light and making life possible on Earth. ‘Om Suryaya Namaha’ means ‘Dispeller of darkness.’ In essence, it means that we worship the sun for giving us light.
Variant sequences called Chandra Namaskar (Moon Salutation) have also been created.we will discus in next session.
After Surya Namaskar chant Aditya Hrudayam Surya Mantra also for more effective results. Aditya Hrudayam is equal to Three Vedas.
Sun Salutation Mantras with Meaning in English and Asanas with Benefits:
Mantra before Surya Namaskar:
Dhayanam:
ōṃ dhyāyēssadā savitṛmaṇḍalamadhyavartī
nārāyaṇassarasijāsana sanniviṣṭaḥ |
kēyūravān makarakuṇḍalavān kirīṭī
hārī hiraṇmayavapuḥ dhṛtaśaṅkhacakraḥ ||Surya Namaskar asanas and mantras- Mantras during Surya namaskar:
Step1:
Mantra: Om Mitraaya Namaha
Meaning: One who is friendly to all.
Yoga Asana: Pranamasana (Prayer Pose)
Benefit: Pranamasana helps maintain the balance of the body. Relaxes the nervous system.
Step2:
Mantra: Om Ravaye Namaha
Meaning: The shining or the radiant one.
Yoga Asana: Hastauttanasana (Raised Arms Pose)
Benefit: Hastauttanasana stretches and tones the muscles of the abdomen. It also expands the chest, resulting in a full intake of oxygen, thereby fully utilizing the lung capacity.
Step3:
Mantra: Om Suryaya Namaha
Meaning:The dispeller of darkness, responsible for generating activity.
Yoga Asana: Hastapadasana (Standing Forward Bend)
Benefit: Hastapadasana makes the waist and spine flexible. Stretches the hamstrings. Opens the hips, shoulders, and arms.
Step4:
Mantra: Om Bhaanave Namaha
Meaning: One who illuminates or the bright one.
Yoga Asana: Ashwa Sanchalanasana (Equestrian Pose)
Benefit: Ashwa Sanchalanasana strengthens the leg muscles. Makes the spine and neck flexible.Good for indigestion, constipation, and sciatica.
Step5:
Mantra: Om Khagaya Namaha
Meaning: One who is all- pervading, one who moves through the sky.
Yoga Asana: Dandasana (Stick Pose)
Benefit: Dandasana strengthens the arms and back Improves posture. Stretches the shoulders, chest, and spine. Calms the mind.
Step6:
Mantra: Om Pooshne Namaha
Meaning: Giver of nourishment and fulfillment.
Yoga Asana: Ashtanga Namaskara (Salute with Eight Parts Pose)
Benefit: Ashtanga Namaskara enhances the flexibility of the back and spine. Strengthens the back muscles. Reduces tension and anxiety.
Step7:
Mantra: Om Hiranya Garbhaya Namaha
Meaning: One who has a golden colored brilliance.
Yoga Asana: Bhujangasana (Cobra Pose)
Benefit: Bhujangasana stretches the shoulders, chest, and back. Increases flexibility. Elevates mood. Invigorates the heart.
Step8:
Mantra: Om Mareechaye Namaha
Meaning: Giver of light with infinite rays.
Yoga Asana: Parvatasana (Mountain Pose)
Benefit: Parvatasana strengthens the muscles of the arms and legs. Increases blood flow to the spinal region.
Step9:
Mantra: Om Aadityaaya Namaha
Meaning: The son of Aditi, the cosmic divine mother.
Yoga Asana: Ashwa Sanchalanasana (Equestrian Pose)
Benefit: Ashwa Sanchalanasana tones the abdominal organs.Adds flexibility to leg muscles.
Step10:
Mantra: Om Savitre Namaha
Meaning: One who is responsible for life.
Yoga Asana: Hastapadasana (Standing Forward Bend)
Benefit: Hastapadasana stretches the hamstrings. Opens the hips, shoulders, and arms.
Step11:
Mantra: Om Arkaaya Namaha
Meaning: One who is worthy of praise and glory.
Yoga Asana: Hastauttanasana (Raised Arms Pose)
Benefit: Hastauttanasana stretches and tones the muscles of the abdomen. Expands the chest resulting in a full intake of oxygen. Lung capacity is fully utilized.
Step12:
Mantra: Om Bhaskaraya Namaha
Meaning: Giver of wisdom and cosmic illumination.
Yoga Asana: Tadasana (Standing or Palm Tree Pose)
Benefit: Tadasana improves posture.Strengthens thighs, knees and ankles. Relieves sciatica.
ādityasya namaskārān yē kurvanti dinē dinē |
āyuḥ prajJṇāṃ balaṃ vīryaṃ tējastēṣāṃ ca jāyatē ||
Ithi Sri Surya Namaskar ||
How to Remember Surya Namaskar Mantra:
Many people find it hard to remember all the Mantra and get confused while practicing them. The easiest way to remember all the Mantra with the correct sequence is to understand the meaning shared above. All the meanings are related to the position, so once you start connecting the poses to your body and the purpose, you will chant it organically.
If you still find it hard, print this Picture of Surya Namaskar Mantra Lyrics and paste it at the wall where you practice Asana.
Ashtalakshmi Stotram Lyrics and Meaning
Ashtalakshmi Stotram Lyrics and Meaning Ashtalakshmi Stotram Lyrics and Meaning
Ashtalakshmi~ stotram in English:
Adi Lakshmi
Sumanasa Vandita Sundari Madhavi Chandra sahodari hemamaye
Munigana vanditha moksha-pradayanini Manjula bhashini vedanuthe
Pankaja-vasini Deva supujitha Sadguna varshini santhiyuthe
Jaya Jaya hae Madhusudhana kamini Adi Lakshmi sada palaya mam (1)Meaning:
O the Goddess Aadi Lakshmi, the one who is worshipped by the good, the enchanting one, the consort of Madhava and the sister of Chandra, the one filled with the gold
O Goddess, who is praised by the Muni’s and their followers, the bestower of Moksha(salvation), whose speeches generates happiness, the Goddess praised by the Vedas
The one residing in the Lotus, worshipped by the Devas, the giver of good qualities, the one with a pleasant heart
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Adi Lakshmi, please rule me with your mercy.Dhanya Lakshmi
Ayi kali kalmasha nasini kamini Vaidika rupini Vedamaye
Ksheera samudhbhava Mangala rupini Mantra-nivaasini Mantranuthe
Mangala dayini Ambuja vasini Devaganaasritha padayuthe
Jaya Jaya hae Madhusudhana kamini Dhanya Lakshmi sada palaya mam (2)Meaning:
O Goddess Dhanya Lakshmi, the mother who destroys the doshas of Kali-yuga, the dear of God Madhusudana, present with the divine form that was personified in the Vedas
Born from the milky ocean with an auspicious form, who resides within the Mantras and the one whose heart is present in Mantras
The bestower of auspiciousness, who resides in the Lotus, whose feet acts as a refuge to the Devaganas
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Dhanya Lakshmi, please rule me with your mercy.Dhairya Lakshmi
Jaya vara varnini Vaishnavi Bharghavi Mantra swarupini Mantramaye
Suragana pujitha seeghra phalaprada Gnana vikasini Sastranuthe
Bhava bhaya haarini papa-vimochani Sadhu janaasritha padayuthe
Jaya Jaya hae Madhusudhana kamini Dhairya Lakshmi sada palaya mam (3)Meaning:
The one who is present in a great form, the one belonging to Vishnu, the daughter of Sage Bhrigu (so called Bhargavi), O the form of Mantras and being the mantras herself.
the one praised by the Sura ganas, who quickly bestows the good wishes and enlightens the internal knowledge, who is praised by the Shastras
The remover of the fears and the one who liberates from the sins, whose feet acts as refuse for the pious
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Dhairya Lakshmi, please rule me with your mercy.Gaja Lakshmi
Jaya jaya durgathi nasini Kamini Sarva phalaprada sastramaye
Radha Gaja Turga padadi samaavrutha Parijana manditha lokanuthe
Hari Hara Brahma supujitha sevitha Taapa nivarini padayute
Jaya Jaya hae Madhusudhana kamini Gaja Lakshmi rupena palaya mam (4)Meaning:
Victory, victory to you, O Goddess, the destroyer of bad fate, Kamini – the dear of Madhusudhana, the bestower of all the wishes
Who has chariots, elephantry, cavalry, and infantry accompany her, the one who is worshipped by the people all over the world
The one who is worshipped and served by the Hari, Hara, and Brahma. The one who has the feet that can remove the anxiety of unfulfilled desires.
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Gaja Lakshmi, please rule me with your mercy.Santana Lakshmi
Ayikhaga vahini Mohini Chakrini Raga-vivardhini Gnanamaye
Guna gana vaaradhi loka-hitaishini Swarasaptha bhushitha gananuthe
Sakala Suraasura Deva Muneeshwara Manava vanditha padayuthe
Jaya Jaya hae Madhusudhana kamini Santana Lakshmi twam palaya mam (5)Meaning:
O the one who rides on a flying bird, the enchanting one, who holds the chakra in her hands, the one who increases the affection, the embodiment form of the knowledge
The ocean of good attributes, who desires the wellbeing of the worlds, praised by the songs that are incredibly composed with the saptha swaras or the seven notes
The own whose feet are bowed by the Suras, Asurasas, Devas, Muneeshwaras, and Manavas.
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Santana Lakshmi, please rule me with your mercy.Vijaya Lakshmi
Jaya Kamalasini sadgati daayini Gnana-vikasini ganamaye
Anudina marchitha Kumkuma dhusara Bhushitha vaasitha vadyanuthe
Kanakadhara stuti vaibhava vanditha Sankara-desika manyapade
Jaya Jaya hae Madhusudhana kamini Vijaya Lakshmi sada palaya mam (6)Meaning:
Victorious, O Goddess seated on the Lotus, the one who gives the good fate, who enlightens the internal knowledge, the embodied form of Music
O the one who is adorned with Kumkuna, that’s used by her devotees to worship, the one entertained by playing musical instruments
Whose feet are praised by the Adi Shankara, by the Kankadhara stuti, which is filled up with the glorious words
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Vijaya Lakshmi, please rule me with your mercy.Vidya Lakshmi
Pranatha Sureshwari Bharathi Bharghavi Soka-vinasini ratnamaye
Manimaya bhushitha karna vibhushana Santi samavrutha Hasyamukhe
Navanidhi daayini kalimala haarini Kamita phalaprada hasthayuthe
Jaya Jaya hae Madhusudhana kamini Vidya Lakshmi sada palaya mam (7)Meaning:
O Goddess Bhargavi (daughter of Bhrigu) The one who is served by the Sachi and Saraswathi, the destroyer of sorrows, an embodied form of precious gems
The one who has the earrings, filled with precious gems, who has a peaceful smiling face
The one who bestows all nine treasures, the remover of sins of Kali-yuga and whose hands grant the boons.
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Vijaya Lakshmi, please rule me with your mercy.Dhana Lakshmi
Dhimi-dhimi dhimdhimi dhimdhimi-dhimdhimi Dumdhubhi nada supurnamaye
Ghuma-ghuma ghumghuma ghumghuma ghumghuma Shankha-ninaada suvaadyanuthe
Veda puraneethihasa supujitha Vaidikamarga pradarsayuthe
Jaya Jaya hae Madhusudhana kamini Dhana Lakshmi rupena palaya mam (8)
Meaning:
O the Goddess who is filled up or surrounded by the sounds like Dhimi Dhimi Dhim Dhimi coming from the Dumdhubhi drums
The one who is praised and worshipped by the sounds like Ghuma ghuma ghumghuma by blowing the conches and from various instruments
The one praised by the Vedas, Puranas, and Ithihasas, who shows the path of righteousness by her acts
Victory, Victory to you, the dear (consort) of Madhusudhana, Goddess Dhanya Lakshmi, please rule me with your mercy.Ashtalakshmi stotram in Devanagari:
अष्ट लक्ष्मी स्तोत्रम्
आदिलक्ष्मि
सुमनस वन्दित सुन्दरि माधवि, चन्द्र सहॊदरि हेममये
मुनिगण वन्दित मोक्षप्रदायनि, मञ्जुल भाषिणि वेदनुते ।
पङ्कजवासिनि देव सुपूजित, सद्गुण वर्षिणि शान्तियुते
जय जयहे मधुसूदन कामिनि, आदिलक्ष्मि परिपालय माम् ॥ 1 ॥धान्यलक्ष्मि
अयिकलि कल्मष नाशिनि कामिनि, वैदिक रूपिणि वेदमये
क्षीर समुद्भव मङ्गल रूपिणि, मन्त्रनिवासिनि मन्त्रनुते ।
मङ्गलदायिनि अम्बुजवासिनि, देवगणाश्रित पादयुते
जय जयहे मधुसूदन कामिनि, धान्यलक्ष्मि परिपालय माम् ॥ 2 ॥धैर्यलक्ष्मि
जयवरवर्षिणि वैष्णवि भार्गवि, मन्त्र स्वरूपिणि मन्त्रमये
सुरगण पूजित शीघ्र फलप्रद, ज्ञान विकासिनि शास्त्रनुते ।
भवभयहारिणि पापविमोचनि, साधु जनाश्रित पादयुते
जय जयहे मधु सूधन कामिनि, धैर्यलक्ष्मी परिपालय माम् ॥ 3 ॥गजलक्ष्मि
जय जय दुर्गति नाशिनि कामिनि, सर्वफलप्रद शास्त्रमये
रधगज तुरगपदाति समावृत, परिजन मण्डित लोकनुते ।
हरिहर ब्रह्म सुपूजित सेवित, ताप निवारिणि पादयुते
जय जयहे मधुसूदन कामिनि, गजलक्ष्मी रूपेण पालय माम् ॥ 4 ॥सन्तानलक्ष्मि
अयिखग वाहिनि मोहिनि चक्रिणि, रागविवर्धिनि ज्ञानमये
गुणगणवारधि लोकहितैषिणि, सप्तस्वर भूषित गाननुते ।
सकल सुरासुर देव मुनीश्वर, मानव वन्दित पादयुते
जय जयहे मधुसूदन कामिनि, सन्तानलक्ष्मी परिपालय माम् ॥ 5 ॥विजयलक्ष्मि
जय कमलासिनि सद्गति दायिनि, ज्ञानविकासिनि गानमये
अनुदिन मर्चित कुङ्कुम धूसर, भूषित वासित वाद्यनुते ।
कनकधरास्तुति वैभव वन्दित, शङ्करदेशिक मान्यपदे
जय जयहे मधुसूदन कामिनि, विजयलक्ष्मी परिपालय माम् ॥ 6 ॥विद्यालक्ष्मि
प्रणत सुरेश्वरि भारति भार्गवि, शोकविनाशिनि रत्नमये
मणिमय भूषित कर्णविभूषण, शान्ति समावृत हास्यमुखे ।
नवनिधि दायिनि कलिमलहारिणि, कामित फलप्रद हस्तयुते
जय जयहे मधुसूदन कामिनि, विद्यालक्ष्मी सदा पालय माम् ॥ 7 ॥धनलक्ष्मि
धिमिधिमि धिन्धिमि धिन्धिमि-दिन्धिमि, दुन्धुभि नाद सुपूर्णमये
घुमघुम घुङ्घुम घुङ्घुम घुङ्घुम, शङ्ख निनाद सुवाद्यनुते ।
वेद पूराणेतिहास सुपूजित, वैदिक मार्ग प्रदर्शयुते
जय जयहे मधुसूदन कामिनि, धनलक्ष्मि रूपेणा पालय माम् ॥ 8 ॥फलशृति
श्लो॥ अष्टलक्ष्मी नमस्तुभ्यं वरदे कामरूपिणि ।
विष्णुवक्षः स्थला रूढे भक्त मोक्ष प्रदायिनि ॥श्लो॥ शङ्ख चक्रगदाहस्ते विश्वरूपिणिते जयः ।
जगन्मात्रे च मोहिन्यै मङ्गलं शुभ मङ्गलं ॥Ashtalakshmi Stotram in Telugu:
అష్ట లక్ష్మీ స్తోత్రం
ఆదిలక్ష్మి
సుమనస వందిత సుందరి మాధవి, చంద్ర సహొదరి హేమమయే
మునిగణ వందిత మోక్షప్రదాయని, మంజుల భాషిణి వేదనుతే ।
పంకజవాసిని దేవ సుపూజిత, సద్గుణ వర్షిణి శాంతియుతే
జయ జయహే మధుసూదన కామిని, ఆదిలక్ష్మి పరిపాలయ మాం ॥ 1 ॥ధాన్యలక్ష్మి
అయికలి కల్మష నాశిని కామిని, వైదిక రూపిణి వేదమయే
క్షీర సముద్భవ మంగళ రూపిణి, మంత్రనివాసిని మంత్రనుతే ।
మంగళదాయిని అంబుజవాసిని, దేవగణాశ్రిత పాదయుతే
జయ జయహే మధుసూదన కామిని, ధాన్యలక్ష్మి పరిపాలయ మాం ॥ 2 ॥ధైర్యలక్ష్మి
జయవరవర్షిణి వైష్ణవి భార్గవి, మంత్ర స్వరూపిణి మంత్రమయే
సురగణ పూజిత శీఘ్ర ఫలప్రద, జ్ఞాన వికాసిని శాస్త్రనుతే ।
భవభయహారిణి పాపవిమోచని, సాధు జనాశ్రిత పాదయుతే
జయ జయహే మధు సూధన కామిని, ధైర్యలక్ష్మీ పరిపాలయ మాం ॥ 3 ॥గజలక్ష్మి
జయ జయ దుర్గతి నాశిని కామిని, సర్వఫలప్రద శాస్త్రమయే
రధగజ తురగపదాతి సమావృత, పరిజన మండిత లోకనుతే ।
హరిహర బ్రహ్మ సుపూజిత సేవిత, తాప నివారిణి పాదయుతే
జయ జయహే మధుసూదన కామిని, గజలక్ష్మీ రూపేణ పాలయ మాం ॥ 4 ॥సంతానలక్ష్మి
అయిఖగ వాహిని మోహిని చక్రిణి, రాగవివర్ధిని జ్ఞానమయే
గుణగణవారధి లోకహితైషిణి, సప్తస్వర భూషిత గాననుతే ।
సకల సురాసుర దేవ మునీశ్వర, మానవ వందిత పాదయుతే
జయ జయహే మధుసూదన కామిని, సంతానలక్ష్మీ పరిపాలయ మాం ॥ 5 ॥విజయలక్ష్మి
జయ కమలాసిని సద్గతి దాయిని, జ్ఞానవికాసిని గానమయే
అనుదిన మర్చిత కుంకుమ ధూసర, భూషిత వాసిత వాద్యనుతే ।
కనకధరాస్తుతి వైభవ వందిత, శంకరదేశిక మాన్యపదే
జయ జయహే మధుసూదన కామిని, విజయలక్ష్మీ పరిపాలయ మాం ॥ 6 ॥విద్యాలక్ష్మి
ప్రణత సురేశ్వరి భారతి భార్గవి, శోకవినాశిని రత్నమయే
మణిమయ భూషిత కర్ణవిభూషణ, శాంతి సమావృత హాస్యముఖే ।
నవనిధి దాయిని కలిమలహారిణి, కామిత ఫలప్రద హస్తయుతే
జయ జయహే మధుసూదన కామిని, విద్యాలక్ష్మీ సదా పాలయ మాం ॥ 7 ॥ధనలక్ష్మి
ధిమిధిమి ధింధిమి ధింధిమి-దింధిమి, దుంధుభి నాద సుపూర్ణమయే
ఘుమఘుమ ఘుంఘుమ ఘుంఘుమ ఘుంఘుమ, శంఖ నినాద సువాద్యనుతే ।
వేద పూరాణేతిహాస సుపూజిత, వైదిక మార్గ ప్రదర్శయుతే
జయ జయహే మధుసూదన కామిని, ధనలక్ష్మి రూపేణా పాలయ మాం ॥ 8 ॥ఫలశృతి
శ్లో॥ అష్టలక్ష్మీ నమస్తుభ్యం వరదే కామరూపిణి ।
విష్ణువక్షః స్థలా రూఢే భక్త మోక్ష ప్రదాయిని ॥శ్లో॥ శంఖ చక్రగదాహస్తే విశ్వరూపిణితే జయః ।
జగన్మాత్రే చ మోహిన్యై మంగళం శుభ మంగళం ॥Kamakhya Kali Kavach Dasha Maha Vidya
Kamakhya Kali Devi Kavacham Dasha Maha Vidya Kavach Kamakhya~ Kali Devi Kavacham Dasha Maha Vidya Kavach
Kamakhya Kali Devi Kavacham / Kamakhya Kavacham/ Kamakhya Stotram in English:
|| Kamakhya Kavacham ||
Viniyogah
OM Asya Shrimahavidyakavachasya Shrisadashiva RIshih Ushnik Chandah
Shrimahavidya Devata Sarvasiddhipraptyarthe Pathe Viniyogah |
RIshyadi Nyasah
Shrisadashivar Ishaye Namah Shirasi Ushnik Chandase Namah Mukhe
Shrimahavidyadevatayai Namah HrIdi Sarvasiddhipraptyarthe
Pathe Viniyogaya Namah SarvaNge |
Manasapujanam
OM PrIthvitattvatmakam Gandham Shrimahavidyaprityarthe Samarpayami Namah |
OM Ham Akashatattvatmakam Pushpam Shrimahavidyaprityarthe Samarpayami Namah |
OM~ Yam Vayutattvatmakam Dhupam Shrimahavidyaprityarthe Aghrapayami Namah |
OM Ram Agnitattvatmakam Dipam Shrimahavidyaprityarthe Darshayami Namah |
OM~ Vam Jalatattvatmakam Naivedyam Shrimahavidyaprityarthe Nivedayami Namah |
OM Sam Sarvatattvatmakam Tambulam Shrimahavidyaprityarthe Nivedayami Namah|
Shrimahavidyakavacham
OM Prachyam Rakshatu Me Tara Kamarupanivasini |
Agneyyam Shodashi Patu Yamyam Dhumavati Svayam || 1||
Meaning:
Let Me Be Protected in The East by Tara, Who Lives in Kama Roopa,
Let Sodashi Protect Me in The South East, Let Dhoomavathi Protect Me in The South
NairruItyam Bhairavi Patu Varunyam Bhuvaneshvari |
Vayavyam Satatam Patu Chinnamasta Maheshvari || 2||
Meaning:
Let My South West Be Protected by Bhairavi And the West by Bhuvaneswari
Let My North West Be Always Protected by The Great Goddess.
Kauberyam Patu Me Devi Shrividya Bagalamukhi |
Aishanyam Patu Me Nityam Mahatripurasundari || 3||
Meaning:
Let My North Side Be Protected by Goddess Srividhya Called Bagala Mukhi,
Let My North East Be Daily Protected by Mahtripura Sundari.
Urdhvam Rakshatu Me Vidya MataNgipithavasini |
Sarvatah Patu Me Nityam Kamakhya Kalika Svayam || 4||
Meaning:
Let My Top Be Protected by The Vidhya Called Matangi Who Sits on The Pita,
Let My All Directions Be Daily Protected by Kali Kamakhyaa Herself.
Brahmarupa Mahavidya Sarvavidyamayi Svayam |
Shirshe Rakshatu Me Durga Bhalam Shribhavagehini || 5||
Meaning:
The MahaVidhya Who Has Form of Brahma and Is Pervaded with Sarva Vidhya Herself,
Let Durga Protect My Head and My Forehead Be Protected by She Who Attracts Shiva.
Tripura Bhruyuge Patu Sharvani Patu Nasikam |
Chakshushi Chandika Patu Shrotre Nilasarasvati || 6||
Meaning:
Let Tripura Protect Both My Eye Brows And Sarvani Protect My Nose,
Let Chandika Protect My Eyes and Let My Ears Be Protected by Neela Saraswathi
Mukham Saumyamukhi Patu Grivam Rakshatu Parvati |
Jihvam Rakshatu Me Devi Jihvalalanabhishana || 7||
Meaning:
Let Goddess with Peaceful Face Protect My Mouth and Let Parvathi Protect My Neck,
Let My Tongue Be Protected by Goddess and Movement of Tongue by The Fearsome Goddess.
Vagdevi Vadanam Patu Vakshah Patu Maheshvari |
Bahu Mahabhuja Patu KaraNgulih Sureshvari || 8||
Meaning:
Let the Goddess of Speech Protect My Face, Let Parvathi Protect My Abdomen,
Let Maha Buja Protect My Hands, Let Goddess of Devas Protect My Fingers of Hand.
Prushthatah Patu Bhimasya Katyam Devi Digambari |
Udaram Patu Me Nityam Mahavidya Mahodari || 9||
Meaning:
Let Bheema Protect My Back Side and Let Goddess Dressed with Sky Protect My Waist,
Let Mahavidhya Who Has A Huge Stomach, Protect Daily My Stomach.
Ugratara Mahadevi JaNghoru Parirakshatu |
Gudam Mushkam Cha Medhram Cha Nabhim Cha Surasundari || 10||
Meaning:
Let the Ferocious Star Maha Devi Protect My Thighs and Knees,
Let My Anus, Testicles and Penis as Well As Belly Be Protected by Prettiest of Gods.
PadaNgulih Sada Patu Bhavani Tridasheshvari |
Raktamamsasthimajjadin Patu Devi Shavasana || 11||
Meaning:
Let Bhavani The Goddess of Three States Always Protect Fingers of My Feet,
Let the Goddess Who Sits on Corpse Protect My Blood, Flesh Bones as Well as Fat.
Mahabhayeshu Ghoreshu Mahabhayanivarini |
Patu Devi Mahamaya Kamakhyapithavasini || 12||
Meaning:
Let the Goddess Who Removes Great Fear Protect Me from Scary Fear,
And Let Me Be Protected Ny Maha Maya Who Lives in Kamakhyaa Peetha.
Rakshahinam Tu Yatsthanam Kavachenapi Varjitam |
Tatsarvam Sarvada Patu Sarvarakshanakarini || 14||
Meaning:
To All Those Areas Where the Armor Has Left Without Protection,
Let the Goddess Who Always Protect, All Time and All Ways Protect.
||Iti MahaVidya Kavachasya Sampooranam||
Kamakhya Kavacham in Devanagari:
कामाख्या कवच
विनियोग:
ॐ अस्य श्रीमहा-विद्या-कवचस्य श्रीसदा-शिव ॠषि:, उष्णिक छन्द:, श्रीमहा-विद्या-देवता, सर्व-सिद्धी-प्राप्त्यर्थे पाठे विनियोग: ।
ॠष्यादी न्यास:
श्रीसदा-शिव-ॠषये नम: शिरसी, उष्णिक-छन्दसे नम: मुखे, श्रीमहा-विद्या-देवतायै नम: ह्रीदी, सर्व-सिद्धी-प्राप्त्यार्थे पाठे विनियोगाय नम: सर्वाङ्गे।
मानस-पूजन:
ॐ पृथ्वी-तत्त्वात्मकं गन्धं श्रीमहा-विद्या-प्रीत्यर्थे समर्पयामी नम: ।
ॐ~ हं आकाश-तत्त्वात्मकं पुष्पं श्रीमहा-विद्या-प्रीत्यर्थे समर्पयामी नम:।
ॐ यं वायु-तत्त्वात्मकं धुपं श्रीमहा-विद्या-प्रीत्यर्थे घ्रापयामी नम: ।
ॐ~ रं अग्नी-तत्त्वात्मकं दीपं श्रीमहा-विद्या-प्रित्यर्थे दर्शयामी नम: ।
ॐ वं जल-तत्त्वात्मकं नैवेधं श्रीमहा-विद्या-प्रीत्यर्थे निवेदयामी नम: ।
ॐ सं सर्व-तत्त्वात्मकं ताम्बुलं श्रीमहा-विद्या-प्रित्यर्थे निवेदयामी नम:।
Kamakhya Kali Devi Kavacham:
श्रीमहा-विद्या-कवच or ।। मां कामाख्या देवी कवच।।
ओं प्राच्यां रक्षतु मे तारा कामरूपनिवासिनी।
आग्नेय्यां षोडशी पातु याम्यां धूमावती स्वयम्।।
नैर्ऋत्यां भैरवी पातु वारुण्यां भुवनेश्वरी।वायव्यां सततं पातु छिन्नमस्ता महेश्वरी।।
कौबेर्यां पातु मे देवी श्रीविद्या बगलामुखी।ऐशान्यां पातु मे नित्यं महात्रिपुरसुन्दरी।।
ऊध्र्वरक्षतु मे विद्या मातंगी पीठवासिनी।सर्वत: पातु मे नित्यं कामाख्या कलिकास्वयम्।।
ब्रह्मरूपा महाविद्या सर्वविद्यामयी स्वयम्।शीर्षे रक्षतु मे दुर्गा भालं श्री भवगेहिनी।।
त्रिपुरा भ्रूयुगे पातु शर्वाणी पातु नासिकाम।चक्षुषी चण्डिका पातु श्रोत्रे नीलसरस्वती।।
मुखं सौम्यमुखी पातु ग्रीवां रक्षतु पार्वती।जिव्हां रक्षतु मे देवी जिव्हाललनभीषणा।।
वाग्देवी वदनं पातु वक्ष: पातु महेश्वरी।बाहू महाभुजा पातु कराङ्गुली: सुरेश्वरी।।
पृष्ठत: पातु भीमास्या कट्यां देवी दिगम्बरी।उदरं पातु मे नित्यं महाविद्या महोदरी।।
उग्रतारा महादेवी जङ्घोरू परिरक्षतु।गुदं मुष्कं च मेदं च नाभिं च सुरसुंदरी।।
पादाङ्गुली: सदा पातु भवानी त्रिदशेश्वरी।रक्तमासास्थिमज्जादीनपातु देवी शवासना।।
।महाभयेषु घोरेषु महाभयनिवारिणी।पातु देवी महामाया कामाख्यापीठवासिनी।।
भस्माचलगता दिव्यसिंहासनकृताश्रया।पातु श्री कालिकादेवी सर्वोत्पातेषु सर्वदा।।
रक्षाहीनं तु यत्स्थानं कवचेनापि वर्जितम्।तत्सर्वं सर्वदा पातु सर्वरक्षण कारिणी।।
इदं तु परमं गुह्यं कवचं मुनिसत्तम।कामाख्या भयोक्तं ते सर्वरक्षाकरं परम्।।
अनेन कृत्वा रक्षां तु निर्भय: साधको भवेत।न तं स्पृशेदभयं घोरं मन्त्रसिद्घि विरोधकम्।।
जायते च मन: सिद्घिर्निर्विघ्नेन महामते।इदं यो धारयेत्कण्ठे बाहौ वा कवचं महत्।।
अव्याहताज्ञ: स भवेत्सर्वविद्याविशारद:।सर्वत्र लभते सौख्यं मंगलं तु दिनेदिने।।
य: पठेत्प्रयतो भूत्वा कवचं चेदमद्भुतम्।स देव्या: पदवीं याति सत्यं सत्यं न संशय:।।इति श्रीमहाविद्याकवचस्य सम्पूर्णम |
Kamakhya Kali Devi Kavacham Meaning- मां कामाख्या देवी कवच हिन्दी में अर्थ:
कामरूप में निवास करने वाली भगवती तारा पूर्व दिशा में, पोडशी देवी अग्निकोण में तथा स्वयं धूमावती दक्षिण दिशा में रक्षा करें।। नैऋत्यकोण में भैरवी, पश्चिम दिशा में भुवनेश्वरी और वायव्यकोण में भगवती महेश्वरी छिन्नमस्ता निरंतर मेरी रक्षा करें।। उत्तरदिशा में श्रीविद्यादेवी बगलामुखी तथा ईशानकोण में महात्रिपुर सुंदरी सदा मेरी रक्षा करें।। भगवती कामाख्या के शक्तिपीठ में निवास करने वाली मातंगी विद्या ऊध्र्वभाग में और भगवती कालिका कामाख्या स्वयं सर्वत्र मेरी नित्य रक्षा करें।। ब्रह्मरूपा महाविद्या सर्व विद्यामयी स्वयं दुर्गा सिर की रक्षा करें और भगवती श्री भवगेहिनी मेरे ललाट की रक्षा करें।। त्रिपुरा दोनों भौंहों की, शर्वाणी नासिका की, देवी चंडिका आँखों की तथा नीलसरस्वती दोनों कानों की रक्षा करें।।
भगवती सौम्यमुखी मुख की, देवी पार्वती ग्रीवा की और जिव्हाललन भीषणा देवी मेरी जिव्हा की रक्षा करें।। वाग्देवी वदन की, भगवती महेश्वरी वक्ष: स्थल की, महाभुजा दोनों बाहु की तथा सुरेश्वरी हाथ की, अंगुलियों की रक्षा करें।। भीमास्या पृष्ठ भाग की, भगवती दिगम्बरी कटि प्रदेश की और महाविद्या महोदरी सर्वदा मेरे उदर की रक्षा करें।। महादेवी उग्रतारा जंघा और ऊरुओं की एवं सुरसुन्दरी गुदा, अण्डकोश, लिंग तथा नाभि की रक्षा करें।। भवानी त्रिदशेश्वरी सदा पैर की, अंगुलियों की रक्षा करें और देवी शवासना रक्त, मांस, अस्थि, मज्जा आदि की रक्षा करें।। भगवती कामाख्या शक्तिपीठ में निवास करने वाली, महाभय का निवारण करने वाली देवी महामाया भयंकर महाभय से रक्षा करें।
भस्माचल पर स्थित दिव्य सिंहासन विराजमान रहने वाली श्री कालिका देवी सदा सभी प्रकार के विघ्नों से रक्षा करें।। जो स्थान कवच में नहीं कहा गया है, अतएव रक्षा से रहित है उन सबकी रक्षा सर्वदा भगवती सर्वरक्षकारिणी करे।। मुनिश्रेष्ठ! मेरे द्वारा आप से महामाया सभी प्रकार की रक्षा करने वाला भगवती कामाख्या का जो यह उत्तम कवच है वह अत्यन्त गोपनीय एवं श्रेष्ठ है।। इस कवच से रहित होकर साधक निर्भय हो जाता है। मन्त्र सिद्घि का विरोध करने वाले भयंकर भय उसका कभी स्पर्श तक नहीं करते हैं।। महामते! जो व्यक्ति इस महान कवच को कंठ में अथवा बाहु में धारण करता है उसे निर्विघ्न मनोवांछित फल मिलता है।। वह अमोघ आज्ञावाला होकर सभी विद्याओं में प्रवीण हो जाता है तथा सभी जगह दिनोंदिन मंगल और सुख प्राप्त करता है। जो जितेन्द्रिय व्यक्ति इस अद्भुत कवच का पाठ करता है वह भगवती के दिव्य धाम को जाता है। यह सत्य है, इसमें संशय नहीं है।।
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Devi Bhagavatham:
Devi Mahathyam – Chendi Navashathi Mantramala:
Devi Mahathyam – Chendi Navashathi Mantramala
Brahma Vaivartha Maha PuranaSaara Sangrahamu:
Brahma Vaivartha Maha PuranaSaara Sangrahamu
PadmaPuranamu-Bhumi Khandamu:
Rugvedasamhitha:
Amaranatha -Mahatmyam:
Amaranatha -Mahatmyam-Sanskrit-English-Tamil
Pothana Bhagavathamu – బమ్మెర పోతన || భాగవతము || :
Pothana Bhagavathamu – బమ్మెర పోతన || భాగవత పద్యాలు Tatparyasahitamu ||
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by Random House AudioThe Yoga Sutras of Patanjali by Integral Yoga Publications Bala Mantra Sri Bala Tripura Sundari Mantra
Bala Mantra Sri Bala Tripura Sundari Mantra Bala Mantra Sri Bala Tripura Sundari Mantra
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Sri Bala Tripura Sundari Mantra is one of the most powerful mantras in SriVidya.Sri Bala Tripura Sundari is the child form of Maha Tripura Sundari, The Great Goddess. Upadesam of Sri Bala mantra happens after initiation into Maha Ganapathy Tarpanam and is the basic step in Sri Vidhya tantra.
Bala means “girl”, this aspect of the Red Goddess is the most highly erotic of Her three aspects, as the 1,000 names show. Bala is an adolescent woman, Tripurasundari a mother, and Tripurabhairavi a woman in whom menstruation has ceased.
Bala’s root mantra is aim klim sauh and variations of this mantra are used in her daily ritual. Many tantrik devatas have manuals structured along similar lines. The devata is first visualised as residing in the heart, then later drawn out through the breath and “placed” in the yantra. On installation or invocation, various ritual accessories are offered, and the 1,000 adjectives (names) of the particular deity recited. The Devi is then drawn ‘back’ into one’s heart, and the ritual concludes with various elements “cleaning up” the area of worship.
The five limbs of a ritual panchanga are Patala, Paddhati, Kavacha (Armour), 1,000 Names, and Stotra. The first gives the unfolding of the mantra, usually in coded form. It also describes the meditation image and the yantra of the devata, as well as various optional rites. The second limb describes the ritual worship, including worship of the avarana or attendants of the devata, which are really aspects of the god or goddess. The kavacha is an “armour” used to ward off evil and which may either be recited or written and then worn on the body. The fourth limb consists of the 1,000 names, of which there are very many sets in the tantrik literature. The fifth, the Stotra, is the hymn of praise of the ishtadevata, the tutelary devata of a tantrik sadhaka.
This particular manual comes from the Devirahasya, a large work which contains many other panchangas relating to different aspects of Shiva and Shakti.
Sri Bala Mantra Japa:
बाला मन्त्र –
Bala~ Mantra consists of three bijaksaras-om-aim-klim-sauh
Bala ~tripura sundari mantra consitst of six bijaksaras- om-aim-klim-sauh-sauh-klim-aim
Bala navaksari matra– om-aim-klim-sauh-sauh-klim-aim-aim-klim-sauh
Tripura Sundari Gayatri Mantra in Hindi/Sanskrit/Devanagari:
ॐ ऐम् त्रिपुरा धेव्यै विड्महे
क्लीम् कामेश्वर्यै धीमहि
सौ: थन्ना: क्लिन्ने प्रछोदयाठ्Bala Tripura Sundari Gayatri Mantra in English:
Om Tripura Sundari Vidmahe
Kaameshwari Cha Dhimahi
Thanno Baala PrachodayaathBala Tripurasundari Gayatri Mantra in Telugu :
ఓం త్రిపుర సున్దరి విద్మహే
కామెశ్వరి ఛ ధీమహి
థన్నొ బాల ప్రఛోదయాఠ్AnganyasaMantras:
The Mantras are as follows:
Om~ Bhu padabhyam Namaha ( touch legs),
Om bhuvah Janubhyam Namah(touch two knees),
Om Svaha Katibhyam namah (touch hip),Om
Maharnabhyai namah ( navel),
Om Janat hridayaya namah ( heart),
Om Tapah Kanthyaya namah (throat),
Om~ satyam Lalataya namah ( forehead).
Karanyasa Mantras of the six:
aim-hrdayaya namah|(open index,middle and ring fingers of the right hand and place them on the heart chakra)
klim -Sirase svaha|(open index,middle and ring fingers of the right hand and touch the top of the forehead)
sauh-sikhayai vasat|(open the right thumb and touch the back of the head.This is the point where tuft is kept)
aim-kavachaya hum|(cross both the hands and run the fully opened palms from shoulders to finger tips)
klim-netratrayaya vausat|(open the index,middle and ring fingers of the right hand:touch both the eyes using index and ring fingers and touch the point between the two eyebrows(ajna chakra)with the middle finger)
||souh-astraya phat||
||Bhurbhuvassuvaromiti digbandhah||Why Sri Bala Mantra?
The upasaka is now a child in the school of Sri Vidhya. To master the profound knowledge of Sri Vidhya and receive the intense energy of Maha Tripura Sundari, he needs to take baby steps. Upsana of Sri Bala mantram is like taking kindergarten classes. While Ganapathy opens the gates to the school, it is Bala who actually starts the teaching in the kindergarten. Like the child-goddess, the upasaka gains the quality to learn more and does it in a playful, child-like manner.
Sri Bala is said to have the appearance of the rising Sun, bright red and flamboyant and always smiling, with a book and a japa mala indicative of her ability to cultivate the seed of learning in the upasaka. With Bala mantra upadesyam, the upasaka experiences the child-like goddess in him, one who makes mistakes and learns the hard way. He gains a lot of good qualities as she tests him and prepares him to rise up to the next stage of Sri Vidhya.
There are three Bala mantras the upasaka is trained in Triputa (which is basic and kindles an interest in learning), Kumari (which makes him want to learn more) and the final one (which gives him the maturity of an adult). Bala mantras give the upasaka the maturity and vairagya to proceed further in the hard path of Sri Vidhya.
Siddhars of South India call Sri Bala Vaalai Devi. The mantras bestow a plethora of benefits to the upasaka, from granting him immense beauty and youthful appearance to removing major roadblocks in life.
Srividya uapasana is found everywhere throughout the world. People want everlasting happiness in life. They try many ways and finally land on the spiritual methods. Initially they find the Vedas and daily practices, further they read and try to understand through Vedanta’s- the Upanishads.
These methods are intellectual with no sight of the real experience. So they search for a Guru and surrender to him. He instructs them on the time-tested, sure to bear fruit method, called the Srividya. The experience of the nature of the entire universe as a play of the Siva and sakthi and that every thing is in the form of Siva and sakthi is the goal of Srividya. This leads to an unlimited experience of bliss.
In this path of Srividya there are many steps like Japa, Pooja, homa, dhayna, Samadhi. Of these Japa is the foremost and the first step instructed to an aspirant. The mantras of Ganapathy and Bala along with guru paduka are the first set of mantras initiated to the aspirant by the Guru.
Many Tantras are unified in declaring that the mantra of Bala is of three letters. (Aim kliim sauh). The eighteen siddas of the yore also practised the Bala mantra in their own way by chanting ‘ayum kiliyum chauum’ and attained the eight siddhis.
Benefits Of Praying To Goddess Bala Tripura Sundari:
There are plenty of benefits that decor your path when you worship Goddess Sundari. All the misfortunes seek an end, and all the abundance comes to your life. The Goddess protects her devotees against all the evil intentions of others and only lets them see the positive aspects and success in life. By worshipping the Goddess, one gets the fruit of all their effort.
Apart from all the things, chanting the mantra regularly enhances one’s beauty since Goddess Sundari is known for her beautiful and attractive appearance. Reciting the mantra makes the person attractive that everyone feels a magnetic appearance toward them. Women who are already pregnant can also chant the Bala Sundari mantra as it helps them to deliver the baby safely.
Bala Mantra Meaning:
The meaning of Bala mantra has been explained in many ways by our revered teachers. The first Vagbhava Bija is a vowel ‘Aim’- which can be split up as ‘a’ + ‘i’ + ‘a’ + ‘m’. The first ‘a’ represents the Rig-Veda starting with ‘agni miide..’ and its essence in the mahavvakya ‘pragynanam Brahma’ ; ‘i’ the yajur veda starting with ‘ishetvorje..’ and its essence in the mahavakya ‘aham brahmaasmi’;
‘a’ the sama veda starting with ‘ agna aayaahi..’ and its essence the mahavakya ‘ tatvamasi’ and ‘m’ the atharva veda starting with ‘sanno devi..’(Sam + Na) and its essence the mahavakya ‘ayamaatmaa Brahma’. Thus this indicates first stage of the aspirant, in search of the unlimited bliss, which is the surrender to a guru, imparting the mahavakyas and showing a path for sadhana.
The second Kamaraja Bija is ‘kliim’ can be split as ‘k’+ ‘l’ + ‘iim’. ‘k’ indicates sakthi tatva, ‘la’ the prthvi (earth) tatva . Since siva tava is inherent in sakthi tatva we find that this represents the complete 36 tatvas. ‘iim’ is the kamakala tatva the cause of the whole creation by heavy penance. This is the further development of sadhana as indicated by a Pooja paddhati instructed by the Sri Guru. 36 tatvas indicate the tatva sodhana , the kamakala indicate the kamakala dhayna in the Pooja paddhati.
The final Bija is ‘sauh’ which can be split as‘s’+ ‘au’ + ‘h’. ‘s’ represents the thirty one tatvas from prthvi to maya; ‘au’ the suddha Vidya, isvara and sadasiva ; ‘h’ the visarga the sakthi and siva tatvas. Thus this is a miniature universe of all the 36 tatvas. ‘s’ is the letter for sakthi, the universal creatrix, ‘h’ the visarga the created universe and ‘au’ the equalising factor which shows their singular identity ( between the Creatrix and the universe). This final bija can be inferred as the zenith of sadhana wherein on constant practice as instructed by the Sri Guru the aspirant enjoys unlimited bliss on understanding the this universe is the play of siva sakthi.
Secret behind Bala Mantra:
By tradition the Bala mantra is initiated as a six letters. This is derived by adding the reverse order of the above three letters in the end of the aforesaid mantra (Aim kliim sauh sauh kliim aim). This mantra is devoid of any curse of lock on the powers. Later when the uapasana progresses the Srividya Pancadasi mantra is imparted to the aspirant.
Then this Bala mantra takes the form of the Yoga Bala mantra the Anga mantra (primary attendant) of the pancadasi mantra. There the mantra has a nine letter form which is derived by adding the three letters of the first said Bala, which is in the normal order, after the above six letter mantra.( (Aim kliim sauh sauh kliim aim Aim kliim sauh )This mantra is not chanted as such by most of Upasakas, the number to be chanted is one-tenth of the Srividya pancadasi mantra’s count.
The first inference from this that is the code identifies the number of bijaskharas in the Bala mantra namely three. Since there are two three’s for ‘ba’ and ‘la’ , adding these we find number of bijaskhra’s in the Bala mantra(six) imparted by tradition. Multiplying them we find the number of bijaskhara’s (nine) in the anga Bala (Yoga Bala) of Pancadasi.
Subtracting them we find zero, which in Sanskrit is denoted as ‘pujya’, which can also be translated as ‘worthy of worship’. Hence inferred that ‘Bala’ is worthy of worship. Dividing them we get one, which denotes ‘ekam sat viprah bahuta vadanti’ -the Brahman which pervades this entire universe.
Bala is in the form of ganesa ,graha,nakshatra,yogini,pita,rasi:
Bala triupra sundari is in the form of ganesha.We fined in her nine grahas all Nakshtras.
Placing both the three’s side by side we get thirty three, the number of divine beings in the devaloka, The eleven rudras, twelve adityas, eight vasu and asvini duo make up the divine pantheon ( 11+12+8+2=33). Each of these groups is also denoted as gana. We thus find the ‘Bala’ is ganesa rupini.
As seen in the first paragraph multiplying both three’s we find nine, the number of planets in the skies as per tradition, Hence ‘Bala’ is graha rupini
In the above calculation multiplying three thrice we find twenty seven the number of stars (nakshatras), so ‘Bala’ is nakshatra rupini
Adding the two threes’ we find six the number of yogini’s (hakini etc.) in the six body cakras, therefore ‘Bala’ is yogini rupini
When we multiply the first two three’s and add the third three ({3X3} +3 =12) we find twelve the number of rasi’s (zodiac signs), so ‘Bala’ is rasi rupini.
The number three denotes the main three pitas (seats of divine powers) kamagiri, purnagiri and jalandhara. Hence ‘Bala’ is pita rupini.
The essence of the above is that Bala is all pervasive and our constant japa with full belief on our guru imparted mantra is the sure road to the goal of self realization.Bala is matruka :
In the daily ritual of nyasa, the barest minimum requirement is matruka nyasa- both outer (bahir) and inner (antar). In the antar matruka nyasa for svadhitana we find the ‘Ba’ in the starting letter, and ‘la’ is the final letter. Hence it is clear that the word ‘Bala’ is formed from the first and last letters of this charka. Thus we infer that Bala is the presiding deity of this charka. Sva + adhistana- one’s own + abode (original seat) is the translation of the name of the charka. We can now admire that Sri Bala also takes the form of the yogini of this charka kakini. This is the first place of entry of the cit sakthi – kundalini from her basal abode muladhara. The Upastha (genitals) organ for enjoyment is associated with is charka. Summing up we find that Bala is the foremost, Blissful, Primordial energy, Sri Lalitha in her child hood form.
In the fifteen nitya devis we find the mantra of vijaya, the twelfth nitya, as ‘bh m r y oom’. It is amazing to see that the consonants in this mantra are between ‘ba’ and ‘la’ and ‘oom’ is placed in the left ear, which is indicative of sakthi pradhanya(left) and tradition(ear-karnaat karnopadesena sampraptam avaneetalam’). Parasurama also gives this as the first mantra during deeksha, ‘vijaya’ means ‘vi’-special and ‘jaya’- victory, the special victory is the atma labha(jaya). So this mantra can be meditated as an expansion of ‘bala’.
In the bahir (outer) matruka nyasa ‘Ba’ is placed in the stomach and ‘la’ in the back of neck. Stomach is the organ for digesting the food received, thus absorbing the nutrients needed for the body and rejecting the unwanted. This indicates that we have to imbibe the main idea that the whole world is in the form of the divine couple, rejecting the idea of dualism. The back of neck is the medical part called ‘Medulla oblongata’, the controller of our involuntary movements like breathing, heart beat, etc. This is the main area of the control in the living system. Linking the above we find the perception that the whole world is the play of the divine couple should be our daily breath.
In the tatva parayana each tatva is associated with a matrukakshra. ‘a’ for siva, ‘ka’ for sakthi, ‘kha’ for sadasiva etc up to ‘ksha’ for prthvi. The vowels ‘aa’ to ‘ah’ are explaining the splendour of siva tatva. ‘aa’ is Ananda sakthi ‘i’ is ichha sakthi, ‘I’ is Ikshana etc. ( see paratrisikha for further details) In this order we find ‘ba’ is pada tatva, ‘la’ is rupa tatva and the vowel in both ‘aa’ is Ananda. ‘Pada’ is the organ for locomotion and hence is figurative of a path. Summing up we find the path to the Ananda rupa of Atma is ‘Bala’.
As seen above both ‘ba’ and ‘la’ are the third of the tatvas, correspondingly the third of dasamahavidya is sodasi or Srividya so she is the root of this maha mantra. The third mahabhuta also is agni. Since Tripurabhairavi of the Dasamahavidyas is fiery and denotes tapas, we can admire that the bala mantra forms the basis of the Tripurabhairavi and her expansion as tripura sundari (sodai) of the Dasamahavidyas.
Practice of Bala Mantra Japa:
The following are the steps for Practice of Bala Mantra Meditation and Japa:
1. Basic preparations and steps of meditation as one has mastered
2. Breath practices along with breath awareness and pratyahara.
3. Nadi shodhana, establishing sushumna and dharana.
4. Ascent and descent of prana in sushumna along with mantra (shreem).
5. Visualize upward triangle with base between the two eye-brows, entering ajna as triune presence of shakti forces (iccha, jnana, kriya)
6. Within light-filled space resonating with mantra (shreem) a bindu point, a single point becomes center of resonance and illumination from which eminates the bala mantra (a’eem, kleem, sauh).
7. Continue with the mental japa of bala mantra with sentiment of love and devotion, with designated recitations according to one’s sankalpa.
8. Coming out of meditation with the ascent and descent of the breath, prana and mantra (shreem).
9. Offer the meditation to Guru and to Divine Mother.
Bala Tripura Sundari Mantra pdf will be uploaded soon.
FAQS:
Best Days To Chant Tripura Sundari Gayatri Mantra?
If you are unable to chant the mantra on a daily basis, you may chant it on Tuesdays and Fridays. Apart from that, Ashtami tithi, Navami tithi, and Full Moon Day also known as Purnima (Pournami) are also considered days auspicious to worship Goddess Tripura Sundari.To Attain bala tripura sundari mantra Siddhi:
One should chant this mantra for 1,008 times for 108 days in order to attain siddhi of the Tripura Sundari Mantra.Japa Mala For Tripura Sundari:
You can use rosary beads (japa mala) made out of pink quartz or clear quartz for the japa of the Tripura Sundari Mantra.Prasadham (Food Offerings) For Tripura Sundari:
One can offer sweet prasads such as sweetrice( pongal) made with pure cows milk and traditional sweets. Apart from that, pure cow’s milk sweetened with jaggery can also be offered as naivedya. Fruits with seeds such as apples, bananas, raisins,Almonds,grapes,guava,mango,lemon,oranges can be offered to Goddess Tripura Sundari.Where To Chant This Mantra?
This mantra should be chanted facing the East while seated on the Northeast quadrant of your house or puja room or where your comfortfble to sit without distrubance.Flowers offered For Tripura Sundari?
You can offer any white, red, pink coloured flowers along with fragrant flowers such as Jasmine, Marigold, Champa, Lily, and Rose.How To Worship ?
You can use the either the photo or yantra of Tripura Sundari. Apart from that, the Shri Chakra and/or Shri Maha Meru can be used to worship Goddess Tripura Sundari.Who Can Chant This Mantra?
This powerful mantra can be chanted by anyone regardless of gender and age.Ladies should avoid chanting this mantra during their monthly menstrual cycles/Milu.
Best Days To Chant Tripura Sundari Mantra?
If you are unable to chant the mantra on a daily basis, you may chant it on Tuesdays and Fridays. Apart from that, Ashtami tithi, Navami tithi, and Full Moon Day also known as Purnima (Pournami) are also considered days auspicious to worship Goddess Tripura Sundari.Best Time To Chant The Mantra Of Tripura Sundari?
The mantra should be recited during Brahma Muhurta. Apart from that, Chandra Hora is also considered auspicious to pray to Goddess Tripura Sundari.Kavachaas Shield of Prayers
Kavacham-Shield of Prayers
Kavacham | Kavachaas Shield of Prayers Kavacham~ is Armor of God. Kavacham is A Practical Way of Requesting the Lord’s Protection – The Kavacha Mantra Armor Hymns.
This protection is made available through surrender to the Lord via the kavacham or armour hymns, for example, the armour hymn of Lord Sarabesvara Siva, the great protector, motivator and well wisher.
Kavacha or Kavacham = Armour. It implies protection. The Kavacha mantras are Armour Mantras or Protection Mantras that explicitly request the Lord to protect us.
While the very meaning of the word mantra is to protect, the Kavacha Mantras make it that much more explicit.
The efficacy of the Armour hymns depend on the devotee’s faith. They work best for those who have surrendered to the Lord. He or she who surrenders every part of his or her body to the Lord and seeks His protection will surely get it. This is why we have provided the meanings for the Ganesh Armour hymn below so you can see how the Lord’s protection is explicitly invoked in each line of the hymn.
It should become clear that the Lord’s protection becomes available when every part of the body is surrendered to the Lord’s care and all activities are done for Him, by Him and through Him.
Here are some Kavachas:
Skanda Sashti Kavacham -For success read this Shanmukhu will always protect us as a shield, and will cure all diseases, access to wealth, success in all endeavors, alleviate the sufferings of all planets, enemies, and no ghosts. , Skanda Sashti Kavatham is the hymn that can bring many comforts in Ihamu(material world) and finally bring about Skanda Sayuja (Non material world -paramu)
Kalabhairava Brahma Kavacham కాలభైరవ బ్రహ్మ కవచం श्री काल भैरव ब्रह्म कवच
Varahi Devi 12 Names creating varjra-Panjara Sheild Varahi DwadashaNama Stotram
Krimi Samhara Suktam Atharva Veda Germ Killing Mantra
Sri Venkateswara Vajra Kavacham with Meaning
Saraswathi Kavacham Vishwavijaya Kavacham
Dakshina Kali Kavacham kalikulasarvasve
Authentic Devi Khadgamala Stotram Given by Sringeri Peetham
Deepa Durga Kavacham Mantram శ్రీ దీప దుర్గా కవచం
Nrusimha Kavacha Mantram Narasimha Kavacham
Ganesha Kavacham Vinayaka Kavacham for Ganesh Armour
Mrithasanjeevani Mantra | Mrutha sanjeevani Kavacham for Corona Pandemic
Aditya Hrudayam Surya Mantra | Powerful Mantra from Ramayana For Healthy Life
Panchayudha Stotram to Defeat Enemies
Garbha Raksha Stotram Mantra to Prevent Abortion
Dattatreya Vajra Kavacham with Meaning
Vishnu Panjara Stotra From Vamana Purana
Trilokya Bhairavi Kavacham- Tripura Bhairavi Kavacham
Traikokya Vijaya Mantra Kavacha Sri Brahma Vaivartha Maha Puranam
Kamakhya Kali Devi Kavacham Dasha Maha Vidya Kavach
Dattatreya Vajra Kavacham, Deepa Durga Kavacham, english, Ganesha Kavacham, Hindi, Kalabhairava Brahma Kavacham, Kali Kavacham, Kamakhya Kavacham, Kavach, Kavacham, Mrutha sanjeevani Kavacham, Narayana Kavacham, Nrusimha Kavacham Mantram, Saraswathi Kavach, skanda sashti kavacham, Sri Venkateswara Vajra Kavacham, Stotra Veda, StotraVeda, telugu, Traikokya Vijaya Mantra Kavacha, Trailokya Vijaya Maha Mantra Kavacham, Tripura Bhairavi Kavacham, Ucchista Ganapati Kavacham, Varahi Devi kavachamSuktam
All About Suktam
Suktam Sukta is the invocation of God Himself as the great glory of His creation, His lordliness, sovereignty and supreme suzerainty. The Creator in all His glory manifests Himself in the variety in creation. Narayana, Shiva represent God, and Lakshmi, Durga represent the magnificence, abundance, plentifulness and grandeur of Narayana/Siva. The Sukta of the Veda is recited with benefit together with formal worship of the God and Goddess, for peace, plenty, and all-round prosperity. The emotions of man, when they are religiously roused,have a tendency to consider the world as an evil and God as a goal of life.
What is Suktam?
A Suktam is a hymn in praise of the deity intended. It praises the deity by mentioning its various attributes and paraphernalia. Rigveda is a Vedain form of Sukti’s, which mean ‘beautiful statements’. A collection of very beautifully composed incantations itself is a Sukta.
The Sukta is a hymn and is composed of a set of Riks. ‘Rik’ means – an incantation that contains praises and Veda means knowledge. The knowledge of the Suktas itself is the literal meaning of Rigveda.
The Rigveda Richas comprises mainly of the praises of God. Other than this it also has incantations containing thoughts which are evolved by the sages through their minute observation, contemplation and analysis. Every element of nature was an issue to
contemplate upon for the sages. In this process they have spoken about the mysteries of the universe, which are for practical usage.
Meaning of Suktam:
सूक्त sUkta n. Vedic hymn
सूक्त sUkta n. song of praise
सूक्त~ sUkta adj. well or properly said or recited
सूक्त sUkta adj. well said
सूक्त~ sUkta n. wise saying
Vedas and Suktams:
Hindu religious sources are classified as “Sruti” or “smRti”. Sruti that which is heard is of the nature of divine revelation. We believe that the Vedas, hymns composed by seers and sages beginning as best were sung under divine inspiration. This is why they are Sruti. These sages “heard” them as the voice of the Divine.
Vedic Suktas:
A Suktam is a part or portion of Vedic verses in praise of a deity or group of deities to please accordingly, and to get a Kamya Phala. (This definition belongs to the answerer and it is not final) Pavamana Suktam (Punyahavachanam), Ayushya Suktam, Vivaha Suktam etc, are in praise of group of deities.
Pancha Suktams:
The Pancha Suktams of Sri Vaishnava sampradaya or tradition are Purusha Suktam, Narayana Suktam, Sri Suktam, Bhu Suktam, and the Nila Suktam.
In South India, the Purusha Suktam, Vishnu Suktam, Sri Suktam, and Narayana Suktam are generally chanted together in paarayanam.
The Sri Rudram, Purusha Suktam, Upanishads, the Gita, and the Vishnu Sahasra Naamam are also recommended for daily paarayanam – chanting.
Since the Purusha Suktam is seen in all Vedas, it is cited as the essence of all Srutis by Veda Vyasa in the Mahabharata. Saunaka, Apastamba, and Bodhayana have also written concerning the use of the Purusha Suktam.
What is Pancha Sukta Tradition:
How to go about choosing to chant the Pancha Sukta’s based on which tradition you belong to. If one is a Smartha Brahmin, then he will be following the Smartha Pancha Suktas but that should not prevent him to learn the other Suktas One thing interesting is that all of sects chant Sri Suktam, and the Sri Suktam is chanted to be blessed with wealth and prosperity and so when it comes to being blessed with wealth and prosperity there is no difference in various traditions.
The Shiva Pancha Sukta Tradition:
In every tradition of Sanatana Dharma, that accepts and uses the Vedas, five (pancha) Vedic hymns (suktas) are selected and considered the most important. The five hymns are recited especially in temple usually during the ablution ceremony (abhishekha).
The Shaiva Pancha Suktas are:
1. Rudra Sukta (Sri Rudram/Chamakam)
3. Durga Sukta
4. Sri Sukta
5. Bhu Sukta
The Vaishnava Pancha Suktas are:
1. Purusha Sukta
2. Narayana Sukta
3. Sri Sukta
4. Bhu Sukta
5. Nila SuktaThe Smarta Pancha Suktas are:
3. Rudra Sukta (Sri Rudram/Chamakam)
4. Sri Sukta
5. Durga Sukta
The Shakta Pancha Suktas are:
1. Devi Sukta
2. Durga Sukta
3. Sri Sukta
4. Bhu Sukta
5. Nila Sukta
Importance and the purpose of Satarudriya, Purusha, Sri, Narayana Suktams:
The Satarudriya, Purusha Sukta, Narayana Sukta and Sri Sukta are generally recited in a series in most of the temples of worship, especially during the performance of the holy ritual of abhisheka. These hymns, which are from the original Vedas, represent in quintessence an invocation of the Almighty manifest as Rudra-Siva, Narayana as the Virat-Purusha, and Lakshmi as the Goddess of Prosperity. The Satarudriya, which is also known as the Rudra Adhyaya, occurs in the Yajurveda and is a magnificent vision of the Creator of the universe, designated here as Siva or Rudra, in His aspects as an awe inspiring immanence in everything that can be found or even conceived of in creation. Here the ordinary notions of religion and even of God are lifted from the limitations of human thinking and made to cover the vast variety which God has revealed as all this manifestation. In this comprehensive attitude of devotion to God, the Satarudriya resembles the description found in the Purusha Sukta.
The Purusha Sukta is a hymn dedicated to the Cosmic Person we may call this Divine Person as Narayana, or Virat-Purusha, as we like and here is also to be found the cosmological suggestion that God pervades all things, not merely as a sort of enveloping or as entering into everything, but even forming the very stuff and substance of creation as a whole. All that was, is, and will be is hallowed and adored as the one Supreme Purusha. The great Indian tradition that all life is yajna, or sacrifice, has its origin in this sublime hymn of the Veda, where the act of 5 creation by God is regarded as the First Sacrifice performed by God Himself, as it were, by way of a Self-alienation of Himself into this objective universe.
Thus, every form of self-alienation which is involved in any sacrifice or service rendered by the human being is indwelt, even in its lowest form, by this highest spirit of the original Divine Sacrifice. A sacrifice is the way by which one becomes another; the subject sees himself in the object and looks upon the object as one would look upon one’s own self. This is the beginning of dharma tani dharmani prathamanyasan. These original principles of creation became the primary roots of all dharma, virtue, or righteousness in this world. The Purusha Sukta, also, for the first time, makes mention of the fourfold classification of human society into Brahmana, Kshatriya, Vaisya and Sudra, representing the spiritual, political, economic and working aspects of human society. What a wonderful inclusiveness of contemplation we find in this small hymn, which embodies in itself the mightiest seeds of philosophic, spiritual and social values.
The Narayana Sukta, again, is a hymn on the Supreme Being as the Father of creation,inconceivably transcendent and yet hiddenly present in the heart of everyone, being nearer than even the nearest of things. This is a tiny but incisive form of meditation by which the
human spirit endeavors to commune with the Supreme Spirit.The Sri Sukta is an invocation to Mahalakshmi as the Divinity presiding over all prosperity in every form material and social, as well as spiritual. Intriguingly, the feminine gender is used in addressing Lakshmi as the Goddess of Fortune, in keeping with the tradition in human thought that the universe is the Glory of God, the Power of God, conceived almost as the Consort of God, for purpose of popular adoration and worship. This would explain the mystery behind the gender. In fact, God and His Powers are beyond the range of human evaluation or values, and thus above the ideas of male and female. These hymns are presented here in their original Sanskrit with the transliteration and English translation for the benefit of the public which, we hope will be of immense utility in people’s daily prayers.
Which tradition follows which Sukta:
All branches share the Sri Sukta.
Shaivas, Vaishnavas and Shaktas share the Bhu Sukta
Shaivas, Vaishnavas and Smartas share the Purusha Sukta
Shaivas~, Vaishnavas and Smartas use suktas for both Deva and Devi
Shaktas use only suktas for Devi, and omit suktas for Deva
Shaktas are unique in using the Devi Sukta
Vaishnavas do not use the Rudra Sukta (Rudram/Chamakam)
Shaivas do not use the Narayana Sukta
Smartas use both Rudra Sukta and Narayana SuktaPurpose of Suktams:
Purusha Suktam – To keep devas under Control
Sri Suktam – To become Wealthy
Bhu Suktam – To obtain food
Narayana Suktam – To Meditate/Concentrate
Rudra Suktam – For Aspiciousness
Durga Suktam – To Destroy Enemies
Neela Suktam – To fulfill desire
Devi Suktam – To become eloquent
More Other Suktas:
Bhu Suktam is on the Goddess Earth, it occurs in Thaitriya Samhita
Neela Suktam is on the Goddess Neela, it occurs in Thaitriya Brahmana Devi Suktam also known as Ambhrani Sukta, is a hymn of the Rigvda (RV 10.125), it consists of 8 verses and is dedicated to Vak (Speech).
Narayana Suktam Lyrics and Benefits
Srinivasa Vidya- is combination of sri sukta and purusha sukta
Krimi Samhara Suktam Atharva Veda Germ Killing Mantra
Pavamana Suktam with Meaning Punyavachanam Vidhi RigVeda
Purusha Suktam with Meaning from Rig Veda
Sri Rudra Sutktam with meaning